{"id":2238,"date":"2025-01-24T17:09:24","date_gmt":"2025-01-24T14:09:24","guid":{"rendered":"https:\/\/zeleka.com\/?p=2238"},"modified":"2025-01-24T17:09:35","modified_gmt":"2025-01-24T14:09:35","slug":"zelekali-sair-hudekoglu-numan-efendi-03","status":"publish","type":"post","link":"https:\/\/zeleka.com\/?p=2238","title":{"rendered":"ZELEKALI \u015eA\u0130R HUDEKO\u011eLU NUMAN EFEND\u0130 (03)"},"content":{"rendered":"

K\u00d6Y\u00dcM\u00dcZDE<\/strong> K\u00dcLT\u00dcR VE EDEB\u0130YAT<\/strong><\/p>\n

\u00c7ocuklu\u011fumuzdan beri, K\u00f6y\u00fcm\u00fcz\u00fcn ilk yaz\u0131l\u0131 eserini \u201cNumaniye\u201dad\u0131yla, M\u00fcft\u00fc H\u00fcdeko\u011flu Numan Efendi (Tuncer)’in verdi\u011fini \u00e7ok dinledik. K\u00f6y\u00fcm\u00fczde yeti\u015fen “B\u00fcy\u00fck Hocalar” ne zaman, hangi mecliste s\u00f6z konusu olduysa “Numan Efendi”den de bahsedilmi\u015f ve “Numaniye”adl\u0131 bir kitap yazd\u0131\u011f\u0131 da vurgulanm\u0131\u015ft\u0131r. Ayr\u0131ca Ayn\u0131 Zat’\u0131n, Of M\u00fcft\u00fcl\u00fc\u011f\u00fc yapt\u0131\u011f\u0131 da belirtilmi\u015f ve Devlet Kat\u0131nda s\u00f6z\u00fc ge\u00e7en bir \u015fahsiyet oldu\u011fu her seferinde yinelenmi\u015ftir. Ancak Numan Efendi ve eseri hakk\u0131nda K\u00f6y’de bilinenler ve anlat\u0131lanlar \u00f6zet olarak bundan ibaret kalm\u0131\u015ft\u0131r.<\/p>\n

Bilinen ikinci yazar\u0131m\u0131z, yine bir din adam\u0131 olan Vaiz Ahmet Faik Arslant\u00fcrk\u2019t\u00fcr. Arslant\u00fcrk\u2019\u00fcn daha \u00e7ok \u0130slami kurallar ve uygulanmalar\u0131na y\u00f6nelik ara\u015ft\u0131rma ve terc\u00fcme t\u00fcr\u00fcnde onlarca eseri mevcuttur.<\/p>\n

Bunlar\u0131n d\u0131\u015f\u0131nda K\u00f6y\u00fcm\u00fczde yeni nesil akademisyenlerimizin, meslekleri ile ilgili \u00e7al\u0131\u015fmalar\u0131n\u0131n bulundu\u011fu ve bunlar\u0131n bir k\u0131sm\u0131n\u0131n da yay\u0131nland\u0131\u011f\u0131 bilinmektedir.<\/p>\n

Yaz\u0131l\u0131 edebiyat\u0131m\u0131z yan\u0131nda, s\u00f6zl\u00fc edebiyat\u0131m\u0131z da y\u00fcz y\u0131llar \u00f6ncesinden beri devam edgelmi\u015f ve bir \u00e7ok \u015fahsiyetimizi unutulmaz k\u0131lm\u0131\u015ft\u0131r. Zira her \u00e7a\u011f ve d\u00f6nemde s\u00f6z ustalar\u0131, komedyenler, t\u00fcrk\u00fcc\u00fcler, masalc\u0131lar eksik olmam\u0131\u015ft\u0131r K\u00f6y\u00fcm\u00fczde. Bunlardan Arslant\u00fcrk \u0130brahim Efendi, Ko\u00e7ot Mehmet Efendi (Atalay), Taka Osman Efendi, Kutri Ali Efendi (Mutlu), \u00c7ilhoroz S\u00fcleyman Efendi (Tok), Ali Temeli (Ayd\u0131n), Deveci Mehmet (Kaba), \u0130kram Taka (Teke) ilk akla gelenlerdir.<\/p>\n

Bunlar ve ismi zikredilmemi\u015f daha nice Zelekal\u0131n\u0131n yaz\u0131lsa ciltleri dolduracak hikayesi, f\u0131kras\u0131, masal\u0131, n\u00fcktesi kald\u0131 g\u00f6k kubbede. Bir g\u00fcn uzayda kalan konu\u015fmalar de\u015fifre edilince, bunlar\u0131n hepsi dinlenecek ve kaydedilecektir ku\u015fkusuz. Ama bizim bu imkan\u0131m\u0131z olmad\u0131\u011f\u0131na g\u00f6re, biz de, ara\u015ft\u0131rabildiklerimizi ve hat\u0131rlayabildiklerimizi yazmaya \u00e7al\u0131\u015faca\u011f\u0131z.<\/p>\n

Bu ba\u015fl\u0131ktaki \u00e7al\u0131\u015fmam\u0131za K\u00f6y\u00fcm\u00fcz\u00fcn ilk yaz\u0131l\u0131 eserini veren H\u00fcdeko\u011flu Numan Efendi (\u015eair Vehbi) nin hayat\u0131, edebi ki\u015fili\u011fi ve eseri hakk\u0131nda bulabildi\u011fimiz bilgileri payla\u015farak ba\u015flayal\u0131m.\u00a0<\/strong><\/p>\n

ZELEKALI \u015eA\u0130R VEHB\u0130<\/strong><\/p>\n

( HUDEKO\u011eLU NUMAN EFEND\u0130 )<\/strong><\/p>\n

“Bu Hudeko\u011flu’<\/strong>na ya Rabb Eyle tevfik\u0131n refik<\/p>\n

Fani olmazdan fena i\u00e7re fena, k\u0131l ver beka”<\/p>\n

\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026<\/strong><\/p>\n

” Numan<\/strong>‘\u0131m d\u00fc\u015fd\u00fcm bu yola ah u vah<\/p>\n

Sen beni az\u0131tma yoldan ey \u0130lah”<\/p>\n

\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026. .<\/strong><\/p>\n

“<\/strong>Der ki Vehbi<\/strong> ben bu yolda ba\u015f\u0131m\u0131 nezreyledim<\/p>\n

Ta ki benden sonra bo\u015f kalmaya harman\u0131m benim”<\/p>\n

Hudeko\u011flu Numan Efendi (Tuncer) 1860 Y\u0131l\u0131nda Trabzon \u0130linin O zaman Of \u0130l\u00e7esine, halen ise \u00c7aykara \u0130l\u00e7esi ba\u011fl\u0131 Ta\u015f\u00f6ren (Zeleka) K\u00f6y\u00fcnde do\u011fdu. \u015eairin ifadelerinden anla\u015f\u0131ld\u0131\u011f\u0131na g\u00f6re kendisi de Hoca olan, Babas\u0131 Mahmut Efendi, o\u011flunu \u00e7ok k\u00fc\u00e7\u00fck ya\u015fta sibyan mektebine ve devam\u0131nda medrese e\u011fitimine vermi\u015ftir.<\/p>\n

lk Hocalar\u0131 Ta\u015f\u00f6ren (Zeleka) K\u00f6y\u00fcnden Kabao\u011flu Mustafa Efendi ile Rendeci Ali Efendi’lerdir. Medrese e\u011fitimini Rize\u2019de ik\u00e2met eden Hoca’s\u0131 \u015eeyh Hac\u0131 Osman\u2019dan alm\u0131\u015ft\u0131r. Yazar\u0131n ifadesiyle \u015eeyh Hac\u0131 Osman Yurdun bir \u00e7ok yerinde tan\u0131nan bir alimdir. Hac\u0131 Osman’\u0131n yan\u0131nda, zaman\u0131n alimleri olan Esat ve Hac\u0131 Ahmet’den de ilim tahsil etmi\u015ftir. .<\/p>\n

G\u00fcn\u00fcm\u00fcze kadar gelen anlat\u0131lara g\u00f6re Numan Efendi \u00e7ok zeki bir \u00f6\u011frencidir. Hocalar\u0131n\u0131n verdi\u011fi dersleri ertesi g\u00fcn ezberlemi\u015f olarak onlara takdim etmektedir. Hatta deneme amac\u0131 ile hocas\u0131 bir ara, g\u00fcnden g\u00fcne dersini a\u011f\u0131rla\u015ft\u0131rm\u0131\u015f ama sonu\u00e7 de\u011fi\u015fmemi\u015ftir. Ertesi g\u00fcn, yine dersini ezbere okumu\u015ftur. Hocas\u0131n\u0131n s\u0131rr\u0131n\u0131 sormas\u0131 \u00fczerine de, \u00e7o\u011fu par\u00e7alar\u0131 bir veya iki okuyu\u015fta kavrad\u0131\u011f\u0131n\u0131 ifade etti\u011fi nakledilmi\u015ftir ondan sonra gelenlerce. \u00c7ok gen\u00e7 ya\u015fta devrinin entellekt\u00fcellerinin kulland\u0131\u011f\u0131 “Aruz Vezni (\u00d6l\u00e7\u00fcs\u00fc)” ile eserlerini vermesi, medrese e\u011fitimini \u00e7ok k\u0131sa zamanda ve \u00e7ok ba\u015far\u0131l\u0131 bir \u015fekilde tamamlad\u0131\u011f\u0131n\u0131 g\u00f6stermektedir. Zira bu \u00f6l\u00e7\u00fc ile \u015fiir yazmak, T\u00fcrk\u00e7e’nin yan\u0131nda, Arap\u00e7a ve Fars\u00e7a Dillerine \u00e7ok iyi vak\u0131f olmay\u0131, T\u00fcrk ve D\u00fcnya Edebiyatlar\u0131n\u0131 yak\u0131ndan tan\u0131may\u0131 ve \u00f6zellikle “Divan Edebiyat\u0131” konusunda uzmanla\u015fmay\u0131 gerektirir.<\/p>\n

Numan Efendi’nin e\u011fitim ba\u015far\u0131s\u0131 ve kendini yenileme hasletinin bir di\u011fer g\u00f6stergesi de, Devlet kat\u0131nda O zaman\u0131n \u00e7ok \u00f6nemli bir makam\u0131 olan “m\u00fcft\u00fcl\u00fck”mevkiine y\u00fckselmesidir. \u00c7al\u0131\u015fma hayat\u0131n\u0131n detaylar\u0131 \u015fimdilik bilinmemekle beraber, \u00c7aykara-Ye\u015filalan K\u00f6y\u00fc, Of-Hayrat Merkezine ba\u011fl\u0131, halen G\u00fcne\u015falan,Yayla\u00f6n\u00fc K\u00f6yleri ile Topakl\u0131,H\u00fcrriyet ve Kurtulu\u015f Mahallelerini i\u00e7ine alan Merkez\u00a0 Camii \u0130maml\u0131klar\u0131ndan sonra, Pri\u015ftine ve Of M\u00fcft\u00fcl\u00fcklerinde, M\u00fcft\u00fc olarak uzun y\u0131llar hizmet verdi\u011fi ar\u015fiv kay\u0131tlar\u0131 ile sabittir.<\/p>\n

Osmanl\u0131 \u0130mparatorlu\u011fu’nun en buhranl\u0131 zamanlar\u0131nda ve ula\u015f\u0131lmas\u0131 zor b\u00f6lgelerde devlet g\u00f6revleri \u00fcslenmesi, Numan Efendiyi \u00e7ok yormu\u015ftu. Belki de emekli olup daha bir \u00e7ok eser verece\u011fi, deneyiminin doru\u011fa ula\u015ft\u0131\u011f\u0131 bir \u00e7a\u011fda , 1922 Y\u0131l\u0131nda , 62 ya\u015f\u0131nda ani bir \u00f6l\u00fcmle hayata veda etmi\u015ftir. Kabri K\u00f6y\u00fc Zeleka (Ta\u015f\u00f6ren) de Aile Mezarl\u0131\u011f\u0131’nda itina ile korunmakta ve ziyaret edilmektedir.<\/p>\n

NUMAN EFEND\u0130N\u0130N EDEB\u0130 K\u0130\u015e\u0130L\u0130\u011e\u0130<\/strong><\/p>\n

Yukar\u0131da da belirtildi\u011fi gibi, Numan Efendi, iyi bir medrese e\u011fitimi g\u00f6rd\u00fc\u011f\u00fc i\u00e7in \u015fiirlerinde, Arap\u00e7a- Fars\u00e7a kelime ve terkipleri (tamlamalar\u0131) s\u0131k\u00e7a ve ustal\u0131kla kullanm\u0131\u015ft\u0131r. Ancak Numan Efendi di\u011fer Osmanl\u0131 \u015eairlerinden farkl\u0131 olarak, 1887\u2019de yazd\u0131\u011f\u0131 eserinde, kendine has bir uslupla, \u00d6z T\u00fcrk\u00e7e kelimeleri de orijinal \u015fekilleriyle ve rahat bir anlat\u0131mla kullanm\u0131\u015f ve di\u011fer Divan \u015eairleri gibi \u00fclkesinde kaybolmam\u0131\u015ft\u0131r.<\/p>\n

“Lisan-\u0131 T\u00fcrkiden nazma getirdim<\/p>\n

Ola bir nef-i am kamuya dedim”<\/p>\n

Diyerek de T\u00fcrk\u00e7e’yi \u00f6zellikle tercih etti\u011fini, amac\u0131n\u0131n da halk taraf\u0131ndan anla\u015f\u0131lmak ve halka hizmet etmek oldu\u011funu a\u00e7\u0131k\u00e7a belirtmi\u015ftir.<\/p>\n

Numan Efendi \u015fiirlerinin son beyitlerinde: “Hudeko\u011flu<\/strong>“,” Numan<\/strong>” isimleri yan\u0131nda, “Vehbi<\/strong>” mahlas (takma ad) \u0131n\u0131 da kullanm\u0131\u015ft\u0131r. Daha \u00e7ok Mesnevi Tarz\u0131’n\u0131 se\u00e7en yazar, vezin (\u00f6l\u00e7\u00fc) olarak da Aruz Vezni’ni kullanm\u0131\u015ft\u0131r. Di\u011fer taraftan, okuyucuyu s\u0131kmamak ve halk\u0131n anlayabilece\u011fi bir anlat\u0131ma yard\u0131mc\u0131 olmas\u0131 bak\u0131m\u0131ndan , Hece \u00d6l\u00e7\u00fcs\u00fcnden yararlanarak , bir nevi, Divan Edebiyat\u0131 ile Halk Edebiyat\u0131’n\u0131 bir birine yakla\u015ft\u0131rm\u0131\u015ft\u0131r.<\/p>\n

K\u0131ssalar\u0131nda ak\u0131c\u0131 ve halka yak\u0131n bir \u00fcslup kullanan \u015eairVehbi (Numan Efendi) k\u0131ssalar\u0131n\u0131n sonunda kendine ve okuyucuya nasihatlerde bulunarak, halka ahlaki de\u011ferlerin kazand\u0131r\u0131l\u0131p korunmas\u0131 konusunda \u0131\u015f\u0131k tutmaya \u00e7al\u0131\u015f\u0131r. Anlat\u0131m\u0131 esnas\u0131nda, ayet ve hadislerden de yaralanarak etkileyicili\u011fini kuvvetlendirmeye \u00e7al\u0131\u015f\u0131r.<\/p>\n

\u015eA\u0130R\u0130N ESER\u0130 VE \u015e\u0130\u0130RLER\u0130<\/strong><\/p>\n

Daha \u00e7ok dini olaylar\u0131 konu alan “Numaniye” manzum bir eser olup, Kur’an\u0131 Kerim ve tefsirleri kaynak al\u0131narak yaz\u0131lm\u0131\u015f, yakla\u015f\u0131k \u00fc\u00e7 bin beyitten olu\u015fmaktad\u0131r. Eserin ger\u00e7ek ismi: \u201cManzume-i Numaniye-i Kasas-\u0131 \u0130brahim Aleyhissel\u00e2m Fi-Fazl-\u0131 Mekke\u201d<\/strong>dir. \u015eair eserini, zamane gen\u00e7lerinin, \u015fiiri daha \u00e7ok sevip okumas\u0131 dolay\u0131s\u0131 ile “manzum” olarak yazd\u0131\u011f\u0131n\u0131, \u015f\u00f6yle a\u00e7\u0131klar:<\/p>\n

“Velakin nazm ile k\u0131ld\u0131m O’nu ben<\/p>\n

Mukaffa tecri-i mergub-i ahsen<\/p>\n

\u00c7\u00fcn Ebna-i Zaman nazm\u0131 severler<\/p>\n

Nesirden manzumu ekser okurlar”<\/p>\n

Eserde Hz. \u0130brahim\u2019in hayat\u0131, Mekke\u2019nin tarihi, K\u00e2be, Zemzem Suyu, Halifeler: Ebubekir, \u00d6mer, Osman, Ali, \u015fehit edilen Peygamberin Torunlar\u0131 Hasan ve H\u00fcseyn, \u0130mam\u0131 Azam, \u0130mam\u0131 \u015eafii, \u0130mam\u0131 Maliki, \u0130mam Ahmet\u2026konular\u0131 detayl\u0131 olarak ele al\u0131nm\u0131\u015f ve i\u015flenmi\u015ftir. Ayr\u0131ca bir \u00e7ok dini konu \u015fiirsel bir anlat\u0131mla a\u00e7\u0131klanm\u0131\u015ft\u0131r.<\/p>\n

Yazar kitab\u0131n\u0131 yazma sebebi olarak r\u00fcyas\u0131nda g\u00f6rd\u00fc\u011f\u00fc Babas\u0131 Mahmut Efendi’nin kendisine nasihatini, ve neticesini, \u015f\u00f6yle a\u00e7\u0131klar :<\/p>\n

\u00a0<\/strong>“Bu niyyet ile \u00e7\u00fcn hutbeyi yazd\u0131m<\/p>\n

Hemen bir gice vak\u0131amda g\u00f6rd\u00fcm<\/p>\n

G\u00f6r\u00fcben bir azm-i mescid i\u00e7inde<\/p>\n

Bulundum dahi niceler var anda<\/p>\n

G\u00f6r\u00fcr\u00fcm Ceddim<\/strong>i mergub-i mevrud<\/p>\n

Ferid-i Asr\u0131 Sefa’n\u0131n oglu Mahmut<\/strong><\/p>\n

O mescid i\u00e7re ider vaaz-i bendi<\/p>\n

Hemen dem i\u015f bu ayeti okudu<\/p>\n

 <\/p>\n

Esteiz\u00fc billah:<\/p>\n

“Ve tilkel cennet\u00fcllet\u0131 urist\u00fcmuha bima k\u00fcnt\u00fcm ta’melun” Zuhruf 72<\/p>\n

(\u0130\u015fte, yapt\u0131klar\u0131n\u0131z dolay\u0131s\u0131yla miras\u00e7\u0131 k\u0131l\u0131nd\u0131\u011f\u0131n\u0131z cennet budur. )<\/p>\n

Birazdan fari\u011f oldu vaz-i bendden<\/p>\n

Tevecc\u00fch k\u0131ld\u0131 canibime andan<\/p>\n

Ey O\u011flum! Sen de vaaz eyle, buyurdu<\/p>\n

Bu s\u00f6z ile, dil \u00fc can\u0131m doyurdu<\/p>\n

\u00c7\u00fcn ol vakit, bu r\u00fcyay\u0131 g\u00f6r\u00fcnce<\/p>\n

Demedim, ta kitap ahir olunca<\/p>\n

\u00c7\u00fcn ahir oldu okudu niceler<\/p>\n

Sebeb-i telifini anlad\u0131lar”<\/p>\n

Numan Efendi’nin kitab\u0131n\u0131n ka\u00e7 bask\u0131 yapt\u0131\u011f\u0131, ne kadar bas\u0131ld\u0131\u011f\u0131 ve sat\u0131ld\u0131\u011f\u0131 bilinmemektedir. Ancak Gelini Bak\u0131ye Tuncerin (1891-1979) g\u00fcn\u00fcm\u00fcze kadar ula\u015fan nakline g\u00f6re; Eserin bas\u0131l\u0131 n\u00fcshalar\u0131 sat\u0131lmak \u00fczere, \u00c7aykara’da Damad\u0131 Kaya M\u00fcslim Efendi (1879-1962)\u2019nin d\u00fckkan\u0131nda muhafaza edilmekte iken 1929 \u00c7aykara Seli vuku bulmu\u015f ve Camii hari\u00e7 \u00c7aykara’n\u0131n tamam\u0131n\u0131n sele gitmesi ile “Numaniye”ler de sele gitmi\u015ftir. Bir daha da bask\u0131s\u0131 yap\u0131lmam\u0131\u015ft\u0131r. Hatta yak\u0131n zamana kadar K\u00f6y\u00fcm\u00fczde Numaniyenin bir n\u00fcshas\u0131 bile mevcut de\u011fildi. Sadece s\u00f6zl\u00fc olarak varl\u0131\u011f\u0131ndan bahsedilmekteydi.<\/p>\n

Son y\u0131llarda akrabalar\u0131n\u0131n, ara\u015ft\u0131rmac\u0131 yazar ve akademisyenlerin de\u011ferli gayretleri ile”Numaniye”adeta yeniden ke\u015ffedilmi\u015f ve T\u00fcrk Edebitat\u0131’na kazand\u0131r\u0131lm\u0131\u015ft\u0131r. Ne yaz\u0131k ki bulunan ve fotokopi ile \u00e7o\u011falt\u0131lan n\u00fcshalar\u0131n\u0131n baz\u0131 sahifeleri noksan baz\u0131 k\u0131s\u0131mlar\u0131 da okunamayacak derecede zaman\u0131n ve \u015fartlar\u0131n tahribine u\u011fram\u0131\u015ft\u0131r. Ama ne mutlu ki, Numan Efendi’nin:<\/p>\n

“Sagar-\u0131 sahban\u0131 g\u00f6rd\u00fcm, \u015fimdi mestan\u0131m benim<\/p>\n

Ta k\u0131yamet ha\u015frolunca, kala destan\u0131m benim”<\/p>\n

\u015eeklindeki arzu ve duas\u0131na uygun olarak, “Numaniye”k\u0131yamete kadar ya\u015fayacak ve “Zelekal\u0131 Numan Efendi” ve Zeleka (Ta\u015f\u00f6ren) isimlerini ya\u015fatacakt\u0131r.<\/p>\n

 <\/p>\n

\"\"<\/p>\n

Ahmet MUTLUO\u011eLU<\/p>\n

\u00dcsk\u00fcdar, 10. 02. 2008<\/p>\n

 <\/p>\n

 <\/p>\n

KAYNAK\u00c7A:<\/p>\n

    \n
  1. Albayrak Sad\u0131k, Son Devrin Osmanl\u0131 Ulemas<\/strong>\u0131,<\/li>\n
  2. Albayrak Ha\u015fim, Oflu Hoca \u0130maj\u0131n\u0131 Veren Din Adamlar\u0131<\/strong>,<\/li>\n
  3. Zerdeci H\u00fcmeyra, Osmanl\u0131 Ulema Biyografilerinin Ar\u015fiv Kaynaklar\u0131<\/strong>, Mast\u0131r Tezi-1998<\/li>\n
  4. Fatih Ayalo\u011flu-Mahir, Lisans Tezi, <\/strong>Trabzon-2003<\/li>\n
  5. Torunu, Emekli Din G\u00f6revlisi Rasim Tuncer (1927-\u2026), Telefon G\u00f6r\u00fc\u015fmesi, Trabzon-2008<\/li>\n
  6. K\u00fc\u00e7\u00fck Torunu, \u00d6\u011fretmen Zeki Tuncer (1957-\u2026), Telefon G\u00f6r\u00fc\u015fmesi, Mersin-2008<\/li>\n<\/ol>\n

     <\/p>\n

     <\/p>\n

     <\/p>\n

     <\/p>\n","protected":false},"excerpt":{"rendered":"

    K\u00d6Y\u00dcM\u00dcZDE K\u00dcLT\u00dcR VE EDEB\u0130YAT \u00c7ocuklu\u011fumuzdan beri, K\u00f6y\u00fcm\u00fcz\u00fcn ilk yaz\u0131l\u0131 eserini \u201cNumaniye\u201dad\u0131yla, M\u00fcft\u00fc H\u00fcdeko\u011flu Numan Efendi (Tuncer)’in verdi\u011fini \u00e7ok dinledik. K\u00f6y\u00fcm\u00fczde yeti\u015fen “B\u00fcy\u00fck Hocalar” ne zaman, hangi mecliste s\u00f6z konusu olduysa “Numan Efendi”den de bahsedilmi\u015f ve “Numaniye”adl\u0131 bir kitap yazd\u0131\u011f\u0131 da vurgulanm\u0131\u015ft\u0131r. Ayr\u0131ca Ayn\u0131 Zat’\u0131n, Of M\u00fcft\u00fcl\u00fc\u011f\u00fc yapt\u0131\u011f\u0131 da belirtilmi\u015f ve Devlet Kat\u0131nda s\u00f6z\u00fc ge\u00e7en bir […]<\/p>\n","protected":false},"author":1,"featured_media":2145,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"tdm_status":"","tdm_grid_status":"","footnotes":""},"categories":[30,29],"tags":[],"class_list":{"0":"post-2238","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-ahmet-mutluoglu","8":"category-yazarlar"},"_links":{"self":[{"href":"https:\/\/zeleka.com\/index.php?rest_route=\/wp\/v2\/posts\/2238","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/zeleka.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/zeleka.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/zeleka.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/zeleka.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2238"}],"version-history":[{"count":1,"href":"https:\/\/zeleka.com\/index.php?rest_route=\/wp\/v2\/posts\/2238\/revisions"}],"predecessor-version":[{"id":2239,"href":"https:\/\/zeleka.com\/index.php?rest_route=\/wp\/v2\/posts\/2238\/revisions\/2239"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/zeleka.com\/index.php?rest_route=\/wp\/v2\/media\/2145"}],"wp:attachment":[{"href":"https:\/\/zeleka.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2238"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/zeleka.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2238"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/zeleka.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2238"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}